cleopatrick

CLEOPATRICK WITH GUEST CAM KAHIN — LIVE AT BRIDGEWORKS!

TICKETS ON SALE THU FEB 5 @ 10AM ET

Since their inception, cleopatrick (made up of Cobourg, ON natives Luke Gruntz and Ian Fraser) have proved themselves to be one of the most in-demand rising rock bands on the planet. They have amassed over 100 million streams, alongside a string of sold-out tours across Canada, the US, UK, and EU, performed at festivals Lollapalooza, Austin City Limits, and Reading/Leeds, and supported Royal Blood on their US tour. cleopatrick won a SOCAN Award in the Rock category for their Top 5 Canadian and U.S radio hit and breakout single, “hometown”-- while their explosive debut album, BUMMER (2021) earned the band a JUNO nomination for 'Breakthrough Group of the Year.' With their bold sophomore album FAKE MOON released in 2025, cleopatrick entered a thrilling new creative chapter. Recorded in Brooklyn with visionary producer Philip Weinrobe (Adrianne Lenker, Hand Habits), FAKE MOON reflects a more experimental, collaborative approach. With FAKE MOON , the duo ventures deeper inward, crafting a record that reasserts their artistic ability while holding true to themselves. Their latest EP, SCRAP, celebrates 10 years of the band, with new recordings of unreleased songs from throughout their career. From viral hits to genre-defying albums, cleopatrick continue to carve out their own lane, proving that rock's future is not only alive but thriving in the hands of a new generation.

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An alt-punk provocateur channeling raw emotion into a sound that’s as fuzzed-out as it is deeply personal, Cam Kahin hurls himself into an unstable world to embody the chaos of coming-of-age. Lauded by CBC as one of Canada’s “fearless new rock voices”, Kahin is loud, honest and enduring – reveling on the brink of self-destruction and the confusing pendulum swing for some semblance of peace. The 23-year-old grew up in Dunnville, Ontario, a small community with around 6,000 residents. Kahin always felt like an outsider there: he was the only person of colour in town, there were no music venues, and what art existed there wasn’t for him. He escaped the small-town doldrums by listening to bands like Cage the Elephant, Biffy Clyro, and PUP. By age 13, he was sneaking out to hardcore shows in Hamilton and Toronto. Those shows pounded an energy and darkness into him that he brings to his music and live performances. Kahin released two singles in 2021 followed by the six-song Let It Sink In EP in early 2022— all recorded in his Dunnville bedroom—that shot him into the industry’s local alternative circles. His follow-up EP, When It's All Over , paint a bleak, honest portrait of a young musician: one who’s been bloodied and bruised by constant upheaval and an unfeeling world, but who’s committed to chasing the light at the mouth of an endless tunnel. It’s set against a suite of fuzzy prog garage rock and ear worm guitar sludge, with explosive crescendos that all claw at the weirdness of growing into a world of relentless instability. Cam Kahin isn’t just making noise—he’s forging a visceral, genre-straddling identity born from isolation, mental health battles, and fierce creative self-discovery. Releasing a new single in 2025 to hold fans over as he readies his upcoming debut album, his music hits like therapy: messy, unfiltered, and wildly alive. For those craving rock that bleeds honesty, this is just the beginning.

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